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The Good Stuff in the Back Room

GERALDINE FABRIKANT New York Times 03/18/2009 11:52
The Good Stuff in the Back Room - museum - art


THE poet Clayton Eshleman recently asked the Museum of Fine Arts in Boston to see the Mayan vessels that are in its extensive collection but not on public display. He couldn’t read the inscriptions on them from pictures on the museum Web site, he said.



“We told him he would have to pare down his list, but we are trying to help,” said Elliot Bostwick Davis, chairwoman of the art of the Americas department at the museum. “After all, who knows, he may be the next John Keats.”

Most museums own far more art than they can display. And while they try to accommodate requests from scholars, art-world professionals and families of artists in their collection — and in rare instances, the public — such viewing is made difficult by space, staff and security constraints.

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